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The photograph is a seated portrait of Miss Elizabeth Haviland. A handwritten note on the back of the photograph reads "Miss Elizabeth Haviland."

The photograph shows the entrance to a church with an unidentified gentleman in the doorway. The location of the church is unknown. The photograph was taken by a London-based photographer, suggesting the church may have been in England.

The portrait shows an oval head shot of Reverend Crosly White. A handwritten note on the back of the image reads "Rev. Crosly White S. Barnabas, Pimlico." The front of the image shows the name and address of the British photographers W. Walker & Sons (referring to William and Samuel Walker), of 64 Margaret St. Cavendish Square. The front also shows "Registered 25 & 26 Vic. C. 68" in reference to the "Creating Fine Arts Copyright Act of 1862."

The photograph is a full-length portrait of Father Ignatius, whose given name was Joseph Leycester Lyne. The handwritten note on the back of the photograph reads: "Rev. of L. Lyne S. Bartholomew Moor Lane." At the bottom of the front of the photograph is a stamp of photographer's name: Mason & Co. Research shows that Joseph Leycester Lyne, commonly known by his religious name Father Ignatius of Jesus (23 November 1837 – 16 October 1908), was an Anglican Benedictine monk. He commenced a movement to reintroduce monasticism into the Church of England and often preached from St. Bartholomew during the period from 1866 to 1688. He was apparently a friend of Dr. Pusey, who is shown in PHOTO 0363.

The photograph is a seated portrait of Miss Amy (Helen Amelia) Brecken. A handwritten note on the back of the photograph reads "Miss Amy Brecken." Amy was the niece of Mrs. Edmund Jarvis Hodgson, and Amy's parents were Frederick and Helen de La Croix Brecken. See photo 0305.

The photograph is a full-length portrait of a clergyman. Handwriting on the back of the image reads as follows: "Rev. F. Bishop now at [Chingford?], Herefordshire". Research is needed to confirm the full name of the individual. Printed on the front of the image on the lower left is the name of the studio and on the lower right the address of the location. Above this information in script is the word "Copyright".

The photograph is a full-length portrait of Dr. Brookes. The handwritten note on the back of the photograph reads "Dr. Brookes." Printed on the front on the lower left is the name of the studio and on the lower right its address; above this information in script is the word "Copyright."

The photograph is a full-length portrait of Dr. Brookes. The handwritten note on the back of the image reads "Dr. Brookes of Stanmore." Printed on the front on the lower left is the name of the studio and on the lower right the address; above this information in script is the word "Copyright."

The photograph is a head and shoulders portrait of Dr. Magee . A handwritten note on the front shows the words "Dr. Magee, Bishop of Peterborough."

According to research, the Very Rev Dr William Connor Magee DD DCL (17 December 1821 – 5 May 1891) was an Irish clergyman of the Anglican Church, who served as Bishop of Peterborough from 1868 to 1891 and as Archbishop of York for a short period in 1891.

The photograph is a full-length portrait of Reverend Edmund Wood. A handwritten note on the back reads "Reverend E. Wood, St. John the Evangelist, Montreal." "Rev. Edmund Wood" is also written on the front.

Research suggests that Father Edmund Wood (1830-1090) founded the Parish of St. John the Evangelist in Montreal in 1861. He introduced the principles of the Oxford Movement to St. John’s and to the Diocese of Montreal. The parish was the first Anglican church in Canada to celebrate daily Mass and provide private Confession, and the first in Quebec to reserve the Blessed Sacrament. It is noted that St. John’s was the first parish in the diocese (and one of the first in the country) not to rent pews, in keeping with the principle that the church is open to all.

PHOTO 0308 shows the interior of St. John the Evangelist Church in Montreal.