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The photograph is a portrait of an unidentified man, possibly George Bagnall as in PHOTO 315
The portrait shows a man sitting in a three-quarter-length pose, with his arms crossed, holding a piece of paper. The front of the image shows the name and address of the British photographer Samuel A. Walker, at 64 Margaret St. Cavendish Square. The front also shows "Registered 25 & 26 Vic. C. 68" in reference to the "Creating Fine Arts Copyright Act of 1862."
Handwritten on the back of the image is the name "Richard". No further identifying information is available.
Unidentified church exterior photograph
The photograph shows the entrance to a church with an unidentified gentleman in the doorway. The location of the church is unknown. The photograph was taken by a London-based photographer, suggesting the church may have been in England.
Unidentified choir boy photograph
The photograph is a formal portrait of an unidentified choir boy.
Unidentified children photograph
The photograph shows two young boys and a young girl standing outside of the old hall on a sunny day.
The photograph shows a young boy dressed in robes, standing for a full-length studio portrait.
Thomas Heath Haviland portrait
The photograph shows Thomas Heath Haviland, warden and parish trustee, in a seated studio portrait.
A copy of the Hope of the World painting by Harold Copping. According to writing on the back,the print was presented to the Children's Corner at St. Peter's Cathedral by the Anglican Catholic Overseas Association to mark the centenary of the Oxford Movement on 14 July 1933.
Textiles collected by St. Peter's Cathedral Church over the years, primarily because they have a direct relationship to the church or the community.
St. Peter's Cathedral Church
Sunday school group photograph
The photograph shows a group of children and adults sitting indoors. The photograph appears to date from the 1970s to 1980s. The image is blurry and of poor quality.