
Title and statement of responsibility area
Title proper
General material designation
- Graphic material
Parallel title
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Title statements of responsibility
Title notes
- Source of title proper: Title based on contents of the photograph
Level of description
Repository
Reference code
Edition area
Edition statement
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Class of material specific details area
Statement of scale (cartographic)
Statement of projection (cartographic)
Statement of coordinates (cartographic)
Statement of scale (architectural)
Issuing jurisdiction and denomination (philatelic)
Dates of creation area
Date(s)
-
[1947-1948] (Creation)
Physical description area
Physical description
3 b&w photographic prints 9 x 12
Publisher's series area
Title proper of publisher's series
Parallel titles of publisher's series
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Archival description area
Custodial history
The photographs form part of the collection brought together by St. Peter's Cathedral Archives volunteers
Scope and content
Photographs show the cast of a AYPA play "Music at the Crossroads" at St. Peter's Hall:
Back row standing, left to right: Harry Shama, Stuart Dickson (Director), Canon E.M. Malone, Alice Dickson (later Alice Fraser), Helen Acorn (later Helen Jewell), Mary Acorn (later Mary Hooper), Milton Acorn, Art MacLean
Front row sitting, left to right: Majorie MacPherson (later Majorie Vessey), Peter Shama, Hilda Pickard (later Hilda Sterns), George Vessey, Viola Kays, Fred Saunders
Notes area
Physical condition
Immediate source of acquisition
Arrangement
Language of material
Script of material
Location of originals
Availability of other formats
Restrictions on access
NO RESTRICTIONS ON ACCESS
Terms governing use, reproduction, and publication
PERMISSION FOR USE OTHER THAN RESEARCH PURPOSES IS REQUIRED FROM ST. PETER'S CATHEDRAL ARCHIVES. QUESTIONS REGARDING COPYRIGHT ARE THE RESPONSIBILITY OF THE USER
Finding aids
NO FURTHER FINDING AID IS AVAILABLE
Associated materials
Accruals
General note
Two photographs are identical and in the other there are two versions with slight differences in posture. Only photograph A has been scanned.
According to archival documentation, Regina Korrey and Marjorie Vessey each sent in one of the three photos; there is apparently a printed program in the archives that provides more contextual information but it is not yet arranged and described.
General note
In the Archival slideshow is a copy of the original program which should be located.